Tag Archives: andrew manshel

WHAT’S THE MATTER WITH TARN-ET-GARONNE?

The week after the national election in France we walked from Cahors to Moissac in southeast France along the Way of St. James (the GR 65, Le Chemin de St. Jacques de Compostelle), a distance of about 80 kms (50 miles) over four days. The walk went from the department of the Lot to the department of the Tarn-et-Garonne. Cahors includes a beautifully preserved medieval district, and some very good places to eat. Moissac is famous for its 12th Century cloister with over 70 beautifully carved capitals and an imposing tympanum over the door to the abbey church. In between, we walked through handsome, rolling, agricultural countryside, planted in vines, fruit trees and grain. Along the way are the lovely towns of Montcuq and Lauzerte. The food was uniformly very good (of course). Both the built and natural environments are wonderful. The residential real estate is inexpensive (I would guestimate at around $150 per square foot, from my perusal of the listings in the windows of the real estate agent offices along the way). So, what’s the problem?

I write this, against the background of the ground war in Eastern Europe not 2,000 land miles away. As we walked, the war could have been on another planet. I did have a nagging concern about being vaporized without warning while on the pilgrimage. But it didn’t happen. And the peace of the French countryside was yet another thing about which to be grateful.

We walked from Cahors to Moissac as shown as the bottom half of the route above.

Before leaving for our trip, I followed the French national election in the New York Times. One read of a tremendous public personal dislike for the winner, Emmanuel Macron, a centrist, who leads a political party he founded for the purpose of advancing his career. His opponent in the final round of the election was Marie La Pen, the scion of the nationalist, anti-immigrant party, who he defeated handily, after a great deal of advance media hand ringing. The traditional Socialist and Christian Democratic parties are no longer factors. Perhaps the most powerful political vector in France of recent years was the mouvement des gilets jaunes, the yellow vests – catalyzed by an increase in gas prices four years ago (and, of course, they hadn’t seen anything yet, with even higher fuel prices yet to come as Russian gas gets turned off). The yellow vests had a list of grievances familiar to Americans – rising prices, resistance to perceived cultural changes, particularly thought to be due to immigration, anger at a powerful political and cultural elite seemingly out of touch and disdainful of “ordinary” French citizens, and a sense of declining economic fortunes. 

Personally, Macron is a clear winner in the French national meritocratic sweepstakes. He a graduate of elite schools. He worked in international investment banking. His economic/technocratic strength is that he gets what that institutional restraints are on future French economic growth and has tried to reform them – sclerotic labor and pension systems in particular. Changing those expensive, inflexible systems certainly gores the ox of the non-elite, rural French family – in the name of long-run economic dynamism. Most recently he proposed raising the national retirement age to 65 from 62. Quelle horreur!

The one thing we heard from people we talked with in La France Profonde (the French heartland), in the person mostly of hotel, restaurant and business operators (the people with whom a tourist would tend to come into contact) was the difficulty in getting people to work for them. One hotel-restaurant we ate at and stayed in converted to take out only, because of the difficulty the owners found in keeping service and kitchen staff. We were told that employees tended to be cavalier about attendance, wanted to set their own hours and often quit without notice when the spirit moved them.

Moissac, the destination of the walk (population 13,000), struck me as a somewhat gritty little town, with a larger immigrant population than any of the places through which we had previously walked. On a Sunday and Monday of the weekend of May 1 (the French labor day), the town had only one open place to eat. Because of the Abbey and Cloister, it is a major stop on the Way of Saint James, so quite a few walkers come through the town. It didn’t have much charm, although the riverfront and canal du midi are nice features.

This is in contrast with Lauzerte, only 23 km (17 miles) away; a very attractive, highly manicured medieval hilltop village – advertised as one of the fifty most beautiful villages in France (pop. 1,500). There were fancy renovations going on throughout the town. The well-maintained facades were nearly uniformly medieval and renaissance. The retail district lay outside and below the historic district, which was located on the top of a hill. From peering through gates and looking at photos in real estate offices (with English names), the houses seemed to be stylishly decorated and to be either second or retirement homes. Montcuq (pop 1,200), about 13 km (8 miles) from Lauzerte, was another well maintained hilltop village, which we found to be more authentic – with cafes, bakeries and butcher shops actually in the town. It also had a very charming English language bookstore (https://www.livresbooksandcompany.com) and a tall 13th century keep. Both appeared to be great places and superb towns in which to live.

So, what’s the problem? Why so cranky? I would argue that the French have it pretty good! And, it’s important to point out, immigration is essential to the French labor market and economy –  because the French have a birthrate of 1.87, against a generally acknowledged replacement rate of 2.1. Part of the it may be the discontent caused by the increasing wage and wealth inequality of the West, amplified by the media ubiquity of the wealthy and their stuff. You see these other people with their private planes and yachts and wonder why they have them and you don’t. This is especially obvious in France, the very home of luxury goods. Two of the highest profile billionaires in France are François-Henri Pinault and Bernard Arnault (the third wealthiest person in the world and the wealthiest in Euope), both of whom are highly visible in French media and derive their wealth from the sale of luxury goods. 

Also, contributing the dissatisfaction is sense of loss of traditional French culture, generated by media about both immigration and the growing distance between a perceived, internationalist cultural elite, exemplified by Macron, Pinault and Arnault. But as an American spending time outside of Paris, that perception seems exaggerated. What’s great about provincial France (and I use that term without the intent of any pejorative connotation), is its cultural uniqueness expressed through food, wine, language and the built environment. Walking the GR 65 (part of a system of walking paths through France called Les Grandes Randonnée [the great routes]) gives the pilgrim a deep sense of history, and particularly religion and spirituality. It comes simply from being in the space. The feelings are inchoate, but powerful. I would advise the French not to worry. Their cultural “brand” is secure, unique and important (as well as marketable). An outsider does not perceive its being diluted. 

In sum, from a ten-day visit by a tourist, the French seem to have it pretty good, and they should (like our fellow similarly aggrieved Americans) stop whining. This is true particularly in light of what’s going on in Ukraine. Now, no one likes to be called a whiner and being a card-carrying member of the international elite, advice from such as me to the French working class is sure to be unwelcome, to say the least. But we need to figure out the messaging as to how to make the culturally discontented feel more positive about their lot. This is worth a great deal more thought. I suspect it has something to do with asking people how they are doing, right at this moment, as opposed to about abstract problems other people might seem to have, or hypothetical problems off into the future. I’d be interested to ask a member of the yellow vests: “How is your life. How are your food, housing, health care? What do you enjoy on television and the internet? What else do you do in your spare time?”

Two other brief notes. Things also seemed pretty great in Paris. I saw very few empty retail storefronts. The streets were clean. The presence of the clochards (homeless) was minimal, and non-existent in the crowded Metro. Lots of young people are riding bikes and scooters in the protected bike lanes built by the much loathed Mayor Anne Hidalgo (who is said to be more popular in New York than in Paris) all over central Paris. The city was hopping in many places at night, with kids jamming bars and restaurants. I particularly enjoyed seeing a diverse group of a couple of dozen young people who had set up a speaker in a plaza in a commercial area on the right bank to dance (traditional social dancing, at that) very late at night. We ate in a new restaurant run by the famous Bras family in former stock exchange building restored and developed by Pinault. Our visit to the Louvre was marred by the lines and crowds on entering and leaving the building and in the Italian Renaissance galleries (thank you brother Leonardo). Paris generally struck me as clean, safe, vibrant and fun. And, in the past, I have generally not been a fan of the place, preferring the French countryside. 

I would be remiss in not highlighting the night we spent in Le Clos de Gamel, in Lascabanes slightly off of the Chemin. We ended up there because we split one of the usual walking days set by our excellent travel agent (https://followthecamino.com/en/), in order to attempt to keep each day’s walking to less than 25km, and they had to find a place between their usual accomodations – particularly challenging as we made our arrangements late in the season. They found Le Clos de Gamel, which is the family farm of David and Christelle Bernadou, to which they have added over the years. It has accommodations in several buildings and features a pool and hot tub – much appreciated after a long day of walking – and not a regular feature of places to stay along The Way. The Bernadous were gracious hosts, served us a wonderful house-made aperitive and red wine (from their vineyard) – along with a delicious dinner. It was quite a find, and is much recommended – even as a destination in itself, for those not traveling on the Chemin. 

The cloister in Moissac

THAT’S ALL RIGHT, YOU CAN HAVE HIM – LOS ANGELES

The Grand Center, LA

Gustuvo Dudamel has never done much for me. I’m actually more a fan of his avatar played by Gael García Bernal in the TV series “Mozart in the Jungle” (which, admittedly takes place in NYC). I’ve also long thought that the Los Angeles Philharmonic is at best a second rate band, which is remarkable because it’s recent conductors have included top shelfers Simon Rattle and Esa-Pekka Salonen (not to mention the storied Carlo Maria Guilini in the more distant past) and its managers have been industry legends Ernest Fleischman and Deborah Borda. Why are those people so well-recognized when the orchestra has never been better than pedestrian?

We were in LA for Du Yun’s “Our Daughter’s Eyes” presented at REDCAT by Beth Morrison Projects and the LA Opera. We also took in Fidelio at the Philharmonic while we were there. I will tread lightly about the LA Phil, as the house professional critic has written about both for the Wall Street Journal. It was also interesting to be in Disney Hall after recently experiencing its acoustic doppelganger in Kansas City. While we were settling in to seats about three quarters of the way back in the hall, the bassoonist was warming up on stage and sounded like he was sitting in our laps. But once the performance started it seemed really far away. Not that the orchestra offers much to hear. The strings of the LA Phil can be accurately described as scrappy for a supposedly world class band, and the ensemble was almost disorganized. Maybe because of Gustavo’s jetting around (he’s also the cappo di cappo at the Paris Opera) rehearsal time may have at a premium for a complicated production, but that seems unlikely given the show’s high profile. 

Gustavo Dudamel - YouTube
This photo of Maestro Dudamel appears several stories high on the facade of Disney Hall.

The New York critical fraternity spent a good deal of time this spring panting for Dudamel to replace the unsuccessful Jaap van Zweden at the New York Philharmonic after van Sweden’s contract comes to an ignominious close next year. Dudamel spent two weeks with the NY orchestra in March playing Schumann, and the New York press went into a frenzy. OK, the guy has terrific hair, a gleaming smile and an interesting life story. But, to these ears, he just isn’t that interesting a musician. In any event, my money is on the exciting Finn, Susanna Mälkki taking the reins at the NYP (you read it here first). 

The show’s raison d’être was the involvement of deaf actors doubling the singers and the involvement of a signing chorus from Dudamel’s home of Venezuela. The musical aspects of the evening were disappointing from top to bottom, except for the fine performance of Ryan Speedo Green, who this year has become the Met’s reliable all round utility bass. Dudamel pushed the band to break-neck speed, at which they were incapable of playing beautifully. Once upon a time, the LA Phil was known as an outstanding group of LA studio musicians, moonlighting as classical players. Now, as a full-time orchestra with a 52 week contract, they aren’t even that. I’d rather watch reruns of MITJ. 

I would be remiss not to crab about how Disney Hall doesn’t relate to the street and is anti-urban. I will also please my readers by avoiding the opportunity to once again crab about Pershing Square which continues to suck.

A Bacchanalian Revel before a Term, about 1632–33, Nicolas Poussin, oil on canvas. The National Gallery, London. Bought, 1826. Image © The National Gallery, London
A Bacchanalian Revel before a Term, about 1632–33, Nicolas Poussin, oil on canvas. The National Gallery, London. Bought, 1826. Image © The National Gallery, London.

But here is the headline – Downtown LA has become almost walkable over the course of the pandemic. Across the street from the loathed (by me) Disney Hall, Gehry has designed a nearly completed massive mixed-use development (1.2 million sq ft, 500 apartments, 20% affordable) that DOES relate well to the street and is massed in a fascinating manner that breaks up its bulk. The building is broken up into two towers of offsetting rectangular forms that humanize it’s scale. It’s mixed uses, including a good deal of street level retail, should seriously animate that stretch of Grand. A hearty bravo to Mr. Greenburg and his patrons at Related. There is lots of other residential development activity that has been recently completed within walking distance. 

I chose not to rent a car for the first time in a trip to La La Land. We took Ubers from Manhattan Beach to Downtown, as well as round trip to The Getty Center from our downtown hotel. All three trips were shit shows. I just can’t understand how Angelenos can put up with it. The trip back from Malibu to DTLA was almost two hours. The Getty Center is magnificent – and its public spaces are uplifting (which is surprising given the extensive use of hardscape. Water features and movable chairs and table soften the experience. The special exhibit of Poussin we visited was lavishly presented. While it goes without saying, it is good to have unlimited money.). But how am I ever going to go there again unless I sleep over or take a helicopter. 

The rest of the visit we walked around downtown. We breakfasted at Grand Central Market and walked along Broadway in historic DTLA. Broadway has made only some progress since the onset of the pandemic. It’s still more than a little rough around the edges. Yes, there is considerable loft conversion, and lots of interesting architecture. The many former movie palaces convey a sense of what tinsel town once was. However, there are still many, many empty, or underutilized, poorly maintained architecturally significant structures. The potential is tremendous. 

By contrast, the Arts District near downtown appears to be a happening place (who knew that LA had an arts district?). The neighborhood is small, and the amount of adaptive reuse is patchy, but apartments are being developed there and there are some cool other uses. We had an excellent meal at a rooftop restaurant, with a rather obscurely marked door at street level. The place (La Cha Cha Cha) was large, entirely outdoors, comfortable and landscaped with cacti. Next door was a club ominously named Death & Co. that we were assured was super cool and had great drinks. The neighborhood was walking distance from downtown. 

I should note that, yes, downtown Los Angeles has a noticeable homeless population, like many other American cities. There are interesting signs around downtown designating special enforcement zones, prohibiting camping and sleeping on the sidewalk. I can’t say the issue appears to be worse than other big U.S. cities or that we ever felt overwhelmed or unsafe. I suppose this has become something of the new urban normal. But by no means did we feel that DTLA was apocalyptic or a set for a new installment of Bladerunner (as I have argued elsewhere, this is a problem that is not principally about housing and is solvable if the political will and data driven social services can be mustered). 

A view down Grand Avenue. The Broad is on the left.

Downtown is brimming with newly built and converted residential developments. The streets still aren’t very active, but the plazas at 1 and 2 Cal have water features, retail, movable chairs and tables and lots of potential. Grand Avenue now has an attractive string of cultural institutions (including Disney Hall, the newish Broad Museum, the Museum of Contemporary Art and the expanding Colburn School facilities), even if nobody appears to much walk between them. You can have a pleasant walk from the towers of Bunker Hill through the Civic Center, El Pueblo de Los Angeles, Little Tokyo through China Town. On my first trip to LA in about 1976, Olvera Street in the Pueblo was regarded as a tourist trap. Today it is rather charming. We had lunch at El Paseo (which has been there for decades) and the other diners were wearing Dodger regalia and appeared not to be tourists but locals pre-gaming (it was opening day, albeit not for five hours). 

A note to Christopher Hawthorne, LA’s Chief Design Officer (and the Time’s former architecture critic): how about paying some attention to the landscaping in the area around City Hall? There are decrepit planters and garden beds among the brutalist 60’s municipal buildings. The plazas are strewn with trash and poorly maintained. I’m sure the Mayor, being a serious Angeleno, never gets out of his car when going between municipal structures, but if LA is serious about design, it really ought to start with its front yard.

Notwithstanding the foregoing, as we lawyers say, DTLA is actually getting to be walkable. Who have thunk it. Joel Kotkin must be shocked. Between the cultural institutions, the street level retail, the varied neighborhood offerings and the improved landscaping, someone might actually live downtown and rarely need access to their car (which, under the circumstances, would be advantageous). Grand Avenue is a happening place. And you can go hear Gustavo Dudamel conduct the LA Philharmonic as often as you want – which is fine with me. 

Musical Group on a Balcony. Gerritt van Honthorst. 1622. The Getty Center. A theorbo and two lutes.

ABOVE THE FRUITED PLAIN – KANSAS CITY

After parking my car at the Kauffman Center for the Performing Arts and leaving the elevator from the garage to go to Helzberg Hall to hear the Kansas City Symphony, I noticed something that I found odd. The outdoor temperature was in the mid 40’s and yet none of the men going to the concert were wearing overcoats. How could that be? It was cold. I was wearing a coat, a hat, a scarf and gloves. At intermission it dawned on me – people went from the garages in their homes in the suburbs, into their cars, to the garage at the Kauffman Center and up into the concert hall via escalator. Why would they need a coat? They never went outside to get from home to the concert. It was all very comfortably and conveniently arranged. This, in nutshell was my experience in Kansas City, Missouri. 

An entrance to an office building parking garage. Note the roll down gate, which rolls up when you put your ticket in the gate.

Kansas City defied my expectations of what successful cities are supposed to be all about. The city seems to work for most of its citizens. The downtown, while dense, has no street life. The downtown’s public spaces were deserted when I visited. There is hardly any street level retail downtown. And yet, the city, the largest in the state, has consistently grown over the years to a population of 500,000, its highest ever; in a metro of about 2.3 million. It is the country’s 31st largest city and its 26th largest metro. It has a symphony, an opera company, a ballet, a notably well funded public library and an important art museum (the Nelson-Atkins). Unlike most other successful cities, it does not have an important university or medical center. Notwithstanding its representation in the U.S. Senate by the loathsome anti-government, Joshua Hawley, its largest employer is the Federal Government. It’s the home of Hallmark, Commerce Bank, and T-Mobile is a major employer. 

It isn’t the way an Upper West Sider would choose to live, but it appears to be very pleasant. Certainly, it is tough to make an argument that waiting for a subway, crowding into a train car and being hustled for money by someone on every ride from my apartment to Lincoln Center is a superior way of life. What’s wrong with living comfortably, prosperously and conveniently? (The Helzberg family, after whom the hall is named, by the way, sold their regional jewelry store chain twenty years ago to Berkshire Hathaway in an all stock transaction. That tells you what you need to know about the hall’s name. Mr. and Mrs. Helzberg were at the concert I attended, and I am pleased to report that they are hale and hardy.)

A typical Country Club Plaza block.

Before my first visit, I knew very little about the city. What I did know was that it is the home of Country Club Plaza, built by the legendary J.C. Nichols and considered to be, perhaps, the most visionary real estate development project in American history. Country Club Plaza is an open air shopping mall, allegedly designed in the Moorish Revival style covering 55 acres and completed in 1923. Country Club Plaza is whimsical in design and high end in its retail offerings. While it is sort of walkable, it has copious free structured parking, wide streets (more like boulevards) and narrow sidewalks. It is echt Kansas City – in that it is a shopping experience not in the downtown, designed to be driven to. The architecture and landscaping (with many fountains) is however completely entertaining. Unfortunately, COVID has had a seriously deleterious impact on its retail leasing. It appeared to me about 15% of the storefronts were vacant. I was told that the stores that closed were the international high end brands. The stores that remain are familiar national high middle market chains.

Downtown Kansas City has dozens of blocks of office towers, ranging from art deco to glass and steel. There are block after block of high rise buildings, with little to no street level retail. It was not clear to me where office workers grab lunch. Whatever single story or less than, say, ten story structures ever existed in downtown were demolished long ago. The most high end suburbs are about a half hour drive from downtown. It appears that the city’s commercial center was designed to be driven to. You park in a garage, most conveniently in the office building in which you work, you spend your day toiling in that building, and you drive home at the end of the day. 

From 2007 to 2017, downtown residential population in Kansas City quadrupled and continues to grow. The area has grown from almost 4,000 residents in the early 2000s to nearly 30,000 as of 2017. A significant number of office towers of all vintages are empty (including, unlike in most other cities, some post war buildings) and are being converted to residential lofts. There is strong demand for downtown living – even without much street life, downtown restaurants or shopping. The appeal must be large, light spaces with views, and not having to worry about shoveling the snow or fixing the roof. 

Main Street, which traverses the downtown, has a futuristic looking streetcar, which I didn’t see many people riding. Main Street had almost no pedestrian activity on the early spring day of my trip. I visited two large downtown public spaces, one in the civic center and the other across the street from the convention center. Both were unprogrammed and entirely devoid of people. The civic center lawn featured rows of movable chairs (perhaps for an event). It is the only occasion on which I have been in a space with movable chairs with no one sitting in them. The convention center space was entirely comprised of concrete surfaces, with some very stern signs about behavior at the entrances. It was March. It was cold. But still, no people? Not one?

The Kansas City Convention Center

Same deal with other urban functions. The city has a humongous convention center, a number of downtown theaters, as well as the ten year old, Moshe Safdie designed, Kauffman Center. All of these amenities were designed to be driven to. At the Kauffman Center, I couldn’t find a major entrance to the street. Everyone appeared to enter and exit though the garage. The lobby faces a more than triple height wall of windows with an expansive view south (not of the downtown). When you look immediately down out of those windows, you see a line of parked, high end vehicles. There is no relationship between the Center and the street, and Kansas City residents seem to like it that way. 

The Kansas City Symphony pays its players for 42 weeks of service and has a budget of almost $20 million. It is in solid financial shape, with a substantial endowment, and generous annual giving (about 40% of total revenue). It plays fourteen pairs of classical concerts a year, with the balance of its season made up of pops concerts and pit band duty for the ballet and opera. Its music director for 18 years has been the avuncular Harvard and Curtis educated Michael Stern, son of legendary violinist and man of the world (and Upper West Side resident), Isaac Stern. The orchestra plays in a 1,600 seat hall with “vineyard seating,” much like Disney Hall in Los Angeles, and, indeed, shared Disney’s acoustician.  The stage juts out into the auditorium, and the seats are steeply raked – from the front of the stage to the back of the hall is apparently less than 100 feet. The audience member certainly feels like he or she is in on the action. The sound of the orchestra in the space is forward and bright – not necessarily ideal for this group of talented and rambunctious young players. The program I heard included This Midnight Hour by British composer Anna Clyne as well as two crowd pleasers, Debussy’s La Mer and the Brahms Violin Concerto, with Midori as soloist. 

Music director Stern projects the affect of a regular guy. To my effete eye, his jacket and trousers didn’t match, and the jacket most obviously didn’t fit properly. Some (many) might find that endearing. He also wore a yellow tie and started the concert with a few appropriate words and the Ukrainian national Anthem. The Clyne piece was an atmospheric curtain raiser based on two poems, by Juan Ramón Jiménez and Charles Baudelaire, which were printed in the program. The most effective moment of the work featured two mournful antiphonal trumpets on either side of the stage. Stern conducted the Debussy from an obviously well-used study score, with yellowed-brittle pages, some of them ragged. This is one of the most difficult pieces in the orchestral repertoire to get right. There are temptations galore for the brass (particularly trombone and tuba) to go for the gold, which are best avoided. The piece depicts the restless churning of ocean water and the constant rhythm of surf, with an overlay of a broad range of orchestral colors. It demands restraint and subtlety, as I heard last fall in San Francisco under Esa-Pekka Salonen. The KCS caught the bright colors and pounding rhythms (but, as Richard Strauss once said, “Schauen Sie sich niemals die Posaunen an, es ermutigt sie nur”).  

I haven’t heard Midori play in decades. She has long been one of the most popular and acclaimed artists in the classical music world, and while there were surprisingly quite a few empty seats in Helzberg Hall (given the soloist’s popularity and celebrity), Midori delivered. This is one of the two or three most played violin concertos, and Midori must have been called on to perform it in public hundreds of times during her career – but her performance was fresh, committed and perfectly beautiful – in the best sense. The more classical sized orchestra (read: no trombones) provided a supportive accompaniment. The concert was enjoyable experience.

The orchestra must be something of a way station for orchestral musicians on the way up, as a number of the principal chairs were open, and most of its members appeared to be early in their careers. The concertmistress was a visitor from Dallas, trying out for the position. That the country’s 31st largest city sports an orchestra of this quality, speaks (generally unspoken) volumes about classical music and culture in this country. I would guess that the Staatskapelle Halle (founded in 1852) in Halle, Germany (it’s 31st largest largest city), doesn’t play nearly at this level. 

There was one black player in the orchestra, and I only noticed one black attendee at the concert. The city is 30 percent black and 10 percent Hispanic. I had a very nice chat with the black woman who runs the city’s visitor’s center, who was upbeat about issues of diversity in the metro. I was, therefore, unable to get a sense of the reality of life for people of color and lower income folks in Kansas City, so my observations are presented with that caveat.

The place where I tried Kansas City BBQ in Country Club Plaza (which was recommended to me by the staff at the terrific nearby Raphael Hotel) wasn’t quite up to the standard of the BBQ at St. Louis’ Pappy’s. I found the pork and beef tips dry (I did think the potato salad was outstanding). But Pappy’s, in my book, is the ne plus ultra of BBQ.

I drew from my trip a broad lesson about the divisions in our national politics. [Missouri is a red state, while Kansas City, like St. Louis, is something of a blue stronghold within that conservative culture. Interestingly, the folks who live on the Kansas side of the state border within the metro, I was told, tend to be even more liberal and Democratic than the rest of the area. That border isn’t one of the two large rivers (Missouri and Kansas Rivers) that runs through the region. I couldn’t figure out where it was.]. Many Americans like to drive. They like houses with yards. They prefer a short commute. They like to shop and eat at national chains (most Americans don’t remember what a crap shoot eating on the road was before the standardization of chains. I remember some pretty terrible food when traveling as a kid. Howard Johnson’s was a reliable oasis.), and to have convenient parking for their shopping (as for their working). It is unsurprising if they feel judged and treated disrespectfully by those of us on the coasts (all three of them), who think cities should be walkable, people should ride bikes and take transit, and that restaurants should be local and vegan. [And alienating, grandiose, high volume lectures about the imminent threat of climate change caused by a car-based life style don’t win any friends or influence any people, no matter how urgent and important the issue may be.] Kansas City works – and while it doesn’t feature most of my personal touchstones for a successful downtown – it would be outrageous for me to be judgmental or make recommendations for improvement based on my experiences, since many people there obviously enjoy how they have chosen to live and the city’s economy seems to be prospering. We coastal elites need to get with the program on that or we are going to be seeing a lot more of Ted Cruz and Josh Hawley, whose political success is drawn from channeling such resentment. And, next time I go to hear the KCS in March, I’m going to leave my coat in my hotel room. 

ROCKIN’ THE CANADIAN ROCKIES

Olympic Plaza with no skaters

It is truly wonderful how many beautiful and great places there are in North America. Calgary, Alberta sits an hour from the Rockies and enjoys spectacular mountain views. Calgary is a little like Dallas, after having morphed into Houston. It started as a cow town (and I had a fantastic shell steak during my visit) and became an oil and gas city – the fourth largest city in Canada with a population of well over a million. It has eight buildings of over 40 stories in the downtown. The city was very much built around the car – with numerous parking structures in the center. You can drive downtown from the suburbs, park downtown and as a result of the extensive skyway system (called locally the “+15”), your feet never have to touch the ground in getting to and from your office.

My visit was sponsored by the downtown business improvement area (BIA), Calgary Downtown Association (CDA), as part of an exercise to revitalize Stephen Avenue, one of the city’s principal shopping streets. Several blocks of Stephen Avenue have been pedestrianized and are mostly made up of low-rise late 19th and early 20th century buildings. The street is shadowed by the surrounding office towers – which, at present, have in excess of a 30% office vacancy rate. The street abruptly “Ts” smack into the superblock containing City Hall.

Continue reading

Crossing Brooklyn Ferry

02-crossing-brooklyn-ferry

This blog only represents the views of the author and does not reflect the policies of the City of New York or its Department of Information Technology and Telecommunications. 

Is urban “revitalization” a mere expression of cultural preference – reflecting white, upper-middle class predilections? Was the pre-revitalization 42nd Street somehow a more authentic expression of something before it, and Bryant Park, became “Disney-fied.” Essays in “Deconstructing the High Line: postindustrial urbanism and the rise of the elevated park,” edited by Christoph Linder and Brian Rosa (Rutgers, 2017), suggest that prior to its re-visioning as an urban public space, the High Line of gay cruising and wild, invasive plants was authentic, organic and more correct. In an essay in Deconstructing the High Line, Darren J. Patrick even argues that the pervasive and self-seeding, but non-native, Ailanthus altissima, had more of a right to live and thrive in the along the abandoned elevated rail line than the artificial more native, highly curated plant selection that distinguishes the High Line now.

When we were working at Grand Central Partnership and Bryant Park Restoration Corporation, we were occasionally surprised to learn that there were academics, like Sharon Zukin, who thought that we were engaged in a misguided attempt to destroy the complex, authentic social ecology of “The Deuce.” We couldn’t understand how someone might prefer the porn theaters, prostitution, unpicked up trash and three card monte of 42nd Street of the 70’s and early 80’s to what we were envisioning. Continue reading

A Memo from Brooklyn to Queens: Re: Amazon, HQ2

Dechirico

Giorgio de Chirico, Piazza d’Italia.

This blog only represents the views of the author and does not reflect the policies of the City of New York or its Department of Information Technology and Telecommunications. 

The original New York City highly incentivized corporate center was MetroTech in Downtown Brooklyn. MetroTech was built by Forest City/Ratner (FCRC) as back office space for Chemical Bank (now JP Morgan Chase), Bear Stearns (now defunct, as some may recall), Brooklyn Union Gas (now National Grid) – with some New York City government offices thrown in to sweeten the pot. Having worked in Queens for a decade, with an office now in Brooklyn at MetroTech, feel I have some credibility in bringing something to the spirited discussion now taking place about the advent of Amazon to the Queens waterfront.

The first point to get out-of-the-way is that no Governor or Mayor could ever let a project like H2Q slip through their hands without making a major effort to win the competition. It would be a political disaster to be seen as not having made a maximum effort to attract Amazon – even given the outcry now taking place on the part of some local elected officials. No one wants to be seen as the “the Mayor who let the Yankees move out-of-town.” In addition, these kinds of negotiations of necessity have to take place without publicity and with a minimum number of people involved. Complex economic development deals can’t be negotiated in public. For the deal to close there has to be a level of certainty to the outcome – hence the use of the Empire State Development Corporation to avoid the normal public review process. Putting the process behind closed doors and circumventing public review are political risks the Governor and Mayor took to get the deal done. If the electorate truly objects to the terms of the deal and the manner in which it was accomplished they have a remedy – vote them out of office at the next opportunity. That’s how democracy works. Continue reading

Landing in Flyover Country

330px-CirrusSR20Landing

A Cirrus SR 20

Our Towns: A 100,000 Mile Journey into the Heart of America

By: James and Deborah Fallows

432 Pages

http://www.anrdoezrs.net/click-8373827-11819508?sid=PRHEFFDF5A7F1&url=http://www.barnesandnoble.com/w/?ean=9781101871843

Owning and being able to fly your own plane creates a tremendous opportunity to learn about what is happening in communities across the country. There are thousands of landing strips outside cities large and small, and while a small plane is highly subject to the vagaries of the weather and only travels at a speed of about 200 mph, it sure seems to beat driving – and the views can be both amazing and illuminating.

James and Deborah Fallows have a Cirrus SR 20 (retail price $329,000, in case you’re asking), and Mr. Fallows knows how to fly it. The SR 20, a reader learns from the book, is the most popular single engine propeller plane on the market – and it comes with its own parachute – for the plane. They took advantage of this resource to travel around the United States, from northern Maine to southern California, to explore non-gateway cities and their progress towards revitalization. The largest of the places visited was Columbus, Ohio (now the largest city in the state). But most of the towns were much smaller: Duluth; Greenville, South Caroline; Bend, Oregon.

I’ve often heard speak of James Fallows as a fellow traveler of the placemaking movement, and his writing for the Atlantic and its City Lab reflect that. The book’s acknowledgements cite Fred Kent, Bruce Katz, Amy Liu and Richard Florida, names we know. But James and Deborah Fallows bring a particular perspective to their odyssey. First they are people who can afford to buy and keep that plane! Second, it’s clear from the text that they are members in good standing of the “inside-the-beltway” establishment. Not only does Mr. Fallows write for the Atlantic, but he was, early in his career, a White House speech writer (for President Jimmy Carter). While an SR 20 can’t fly much higher than 10,000 feet, and generally flies at lower altitudes, the D.C. native perspective tends to be from 30,000 feet. Indeed the Fallows’ attempt to take the same approach in gathering information about each of the two-dozen towns they visit (starting with visiting the editor of the local paper) and try to draw out patterns among what they find. Continue reading

The Prophet of Micropolis

Vince DeSantis

Vince DeSantis

Vincent DeSantis, the author of “Toward Civic Integrity: Re-establishing the Micropolis,” published eleven years ago, works in the spirit of Holly Whyte: quietly, carefully and with great acuity. Vince was my host, at his B&B, on my trips to Gloversville, New York. He is a Gloversville native, an attorney, served as the City Court judge in town for years and is now the at-large member of the city’s Common Council. He’s the moving force behind many of the good things happening in Gloversville. What I didn’t know, I suppose because of his reserve and modesty, is that he wrote a book that was years ahead of its time and that even today should be essential reading for everyone involved in placemaking. Back in 2007, Vince was conclusively making the case for small cities and how to revitalize them.

The book is available here: http://www.amazon.com/Toward-Civic-Integrity-Re-establishing-Micropolis/dp/1933994258/ref=sr_1_1?s=books&ie=UTF8&qid=1529418592&sr=1-1&refinements=p_27%3AVincent+DeSantis or here:

http://shoptbmbooks.com/toward_civic_integrity.html.

A Ted Talk by Vince on the topic can be found here: http://www.youtube.com/watch?v=-1qEpNWJGSk.

“Towards Civic Integrity” describes why the small city is a rewarding place to live and how it provides a fruitful medium for supporting an enriched civil society, using Gloversville as an example. Vince discusses how the economies of small cities work – how they add value to raw materials by making things and selling them to the world beyond, thereby creating wealth. He describes the social bonds that are created among citizens of small cities – and how small cities promote civic engagement and simple neighborliness. The book identifies the problems created for localities by capital markets and large corporations driven by lowering the prices for manufacture – and both their utility and their indifference to localities and human impacts. His vision for the future for Gloversville, articulated a decade before I came to similar conclusions after a couple of visits, was of a relatively low-cost, high quality of life for creative people (in the broadest sense) who engage in small-scale manufacture of high quality goods and delivery of unique services. This is economy made possible by the internet and efficient modern delivery systems – and replaces the manufacturing economy.

Continue reading

Meet Me In St. Louis

IMG_1635Downtown St. Louis has made as little progress in urban revitalization as any big city downtown I have been visiting over the last twenty-five years, despite a number of high-profile projects, like Union Station, and the continued success in a number of other St. Louis neighborhoods, like the Central West End, Grand Center, Lafayette Park and Laclede’s Landing. It is significant that the Downtown does come alive, to a certain extent, on the nights of Cardinals games. But when there is no game, both at night and during the day, the streets and sidewalks of the Downtown are dead.

There are a number of contributing factors to this, beyond the impact of the car and the “white flight” that affected so many post-industrial downtowns in the 1960’s and after. First is how far apart from each other active uses are in the Downtown. Many of the streets, particularly Market, are quite wide. Those streets have little shade. Building entrances, particularly those of structures built after 1960, are far apart – and those buildings have only one pedestrian entrance, limiting the level of visible pedestrian activity. Ground floor retail is unusually discontinuous. The St. Louis climate is particularly hostile to outdoor activity year round. A high level of heat and humidity dissuades pedestrians from remaining outdoors for about half the year. With a serious lack of shade – even in parks and plazas – as a result of very limited tree cover. The city’s major tourist attraction, The Gateway Arch, is set off from the downtown by an at-grade highway, and the classic Dan Kiley landscape around it (which has recently been extensively restored), tends to preference design over people and is generally forbidding. Finally, St. Louis may continue to be the most racially segregated big city in America. Continue reading

What’s The Matter With Nebraska?

omaha skyline

Omaha Skyline

A recent trip to Omaha, Nebraska revealed to me a way in which the United States has changed in the last forty years that hasn’t been much commented upon. Perhaps we might call it “The Kale Effect.” I went to college in Ohio in the 1970’s, and as an active alumnus of my college I made frequent return visits. I used to say that in decades of trips to Northeastern Ohio I had never had a good meal. But I certainly am unable to say that any more. Cleveland has become a Midwestern gastronomic destination (and I have had many a good meal at The Albatross in University Circle in recent years). High quality food culture has reached many, if not most, cities of any size between the coasts – and food journalism frequently focuses on great new finds in both of the Portlands (Oregon and Maine) – and many places in between.

On a weekend trip to Omaha we ate in TWO French bistro style restaurants – both of which served both good food and interesting wines and beers. And yes, kale, the sacred vegetable of Brooklyn was on the menu in both places (a food, the romance of which is lost on me). Even on a recent trip to Gloversville, New York, in the rural foothills of the Adirondacks, both kale soup and kale salad were on offer. The latest food trends have become ubiquitous across a country where in the middle of the 20th century spaghetti and meatballs was considered exotic. Continue reading